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Anyway, I thought maybe you could talk a bit about how you discovered those spaces and what they are like and what they have meant for you as an artist? She saw my work at the gallery and offered me a show over the phone because she loved the work. Gharibdol is currently living in a safe house with her mother. We show artists that already have a developed language; they are not emerging, not fresh out of school. Now that you have circled back to this, one of the things I found really frightening about that New Yorker article, and I could be totally off base, was that this A. Nothing in this study, as far as I could tell, I read the article and not the study itselfsays a peep about the power dynamic between male and female faculty or the relationship between faculty and students. I was wondering how you would describe your experience having these two accomplished women as mentors because a lot of female art students during that time only had male visiting artists, or visiting curators. I am really interested in trans-humanism and future potentialities in terms of brain uploads and what happens with augmentations and cyborgs.